Category Archives: north oakland

Mmmm… Mama’s

I said it was deserving of its own post, so here it is: Mama’s Royal Cafe!

outside Mama's Royal Cafe

Located on the border of the Temescal and Piedmont neighborhood’s in Oakland at Broadway and 40th, Mama’s is an Oakland institution. They opened their doors over 35 years ago in this same spot and have been going strong ever since.

I went Saturday morning after a brief discussion with a friend who lives close by:

“Let’s go, let’s go, let’s go!” I said. “There are already folks lining up outside.”

He said, “Well maybe we should go somewhere else…”

And I replied, “I want my Mama’s!!!

End of discussion. And so we walked, and we waited, and as I’ve said before, it’s always worth it!

mama's royal cafe art

The thing that makes Mama’s unique is their combo of vintage eclectic decor with today’s fancy farm-fresh local produce. You’re in this classic diner-feeling establishment, eating Niman Ranch meats, Petaluma eggs, Acme bread (which is out of this world… when they ask you what kind of toast you want, the correct answer is “Acme”), and amazing seasonal fruits and veggies, typically featured in their specials of the day.

I had one of their specials on this visit: a roasted fennel frittata with carmelized onions, parmesan cheese and a few other yummy ingredients. Served with perfect potatoes crispy-cooked  (it amazes me how many breakfast places have mediocre potatoes), and that incredible Acme toast. I made my way through my entire platter of food and was munching on my last piece of toast when my friend said, “That bread is the best!” I only had three bites left, slathered in butter and jam, but I offered it to him. I was already over-stuffed, and in general, am working on being a better sharer. He was grateful.

One of my favorite Summer Specials is their fresh fruit crepes. They only serve this when the most amazing berries, mangoes, nectarines, and kiwis are available, all tucked into delectable crepes with a créme fraîche sauce to die for. If you’re like me – you have a hard time deciding between sweet and savory and are always trying to talk your friends into getting both and splitting them – this is a great one to get. Unfortunately, you’ll have to wait about 8 months before it’s available again. It’s worth the wait!

The restaurant has 3 rooms… the main entrance leads you into the sign-up area, coffee station, counter seating, and small tables near the window. Next over is a narrow room filled with wooden bench booths… this is a cool spot if you want a little privacy. Each booth has possesses one of these quaint little jukeboxes (unfortunately now inoperable) which back in the day, played two songs for a nickel… “the equivalent of two complete records!

mama's royal cafe, mixmaster vintage advertisement

vintage aprons at mama's royal cafe

The farthest room is the largest… ideal for bigger groups and great people watching.

The entire restaurant is filled with quirky art… vintage aprons and teacups galore, boomer era advertising (I love the Mixmaster poster above – “it even polishes silverware!”), Poodle with a Mohawk, and of course, the wonderful napkin art.

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Every spring, Mama’s hosts their annual Napkin Art Contest with real cash prizes… this is no joke! Top napkin takes four hundred smackerooos, second and third get $200 and $100 respectively, plus more complimentary breakfasts and kids prizes too. Only requirement is that a paper napkin must be used. 2010 entries due March 31st… prizes distributed April 15th. You can see original winning entries displayed at the restaurant, and photos of winners in Mama’s online photo gallery. This stuff is amazing!

sign at mama's royal cafe

Friday the 13th – Mystery Mojo

Ok… so I had no idea what I was going to write about today. I was racking my brain last night… another mural? an essay on gentrification? I was stumped.

And then out of nowhere… I found THIS. I saw it from the corner of my eye and thought “What’s that?” As I stepped closer I found this lovely little creature in red with his/her fantastic aura of twigs & sticks… then I noticed the inscription in stone underneath. West Oakland Home. Which I found fascinating, because West Oakland is my home, however I did not find this in West Oakland. Very strange.

Mystery Mojo

Check out the magic charm at his base… a stone with four screws (presumably representing North, South, East, and West) all meticulously wrapped in blood red thread. This was some serious mojo.

stone with red thread and screws

I walked past the creature and came upon the weirdest and most fantastic pile of stuff… it was only then that I realized I was standing in the middle of a very deliberately created sacred space. The centerpiece is below… constructed out of a hundred or more hand sewn dolls with beautiful individual beads for eyes and mouths, all laid out in a circle.

Voodoo Magic

Voodoo Magic

Mystery Mojo

Inside this circle was an interior circle constructed out of chunks of wood, and inside this two guardians flanked an intricate metal lantern, a red-feathered arrow stuck into the ground, and a dish of offerings. The “dish” was constructed out of a knarled piece of wood… resting in it, a necklace of the cross, beads, kernels of corn, and tobacco leaves.

African Statues

red feathered arrow

Spiritual Offerings

I was fascinated! The fact that someone would create such an elaborate display in a public place. And then leave it. I was also a little bit nervous. Was it ok to be standing inside this space? Would I somehow be desecrating it by walking upon it? I have no idea how this voodoo magic stuff works. I tried to be respectful and appreciative.

It was then that I noticed the masks. The installation was set in a large rectangular plot of land… the red creature from the first photo marked the entrance. At each corner of the plot was a unique and unbelievably beautiful mask. One had a tag that said it was handcrafted in Ghana, carved out of a single piece of wood, and designed to “radiate the magic of Africa.” These two were my favorites…

North and South

This one was West…

African Mask

South…

African Mask from Ghana

East…

African Mask

And North…

African Mask

I gave a nod of gratitude to each of these masks and to the four corners of our planet. It seemed like the thing to do. If anyone knows anything about casting spells or spiritual rituals of this sort, I would love more information. I am in awe of this beautiful gift of art.

Happy Friday the 13th everyone. May the mojo move you!

Compound Studios & Gallery

So our next stop on our Art Murmur crawl was just next door to blankspace, at the Compound Gallery & Studios. A much larger space, Compound is home not only to multiple gallery spaces, but 10 artist studios as well, all fully booked. The space was opened by a husband and wife artists Matt and Lena Reynoso in 2008.  You may remember Matt’s name from my very first post… the Suits & Soldiers mural on the Emeryville border.  I’m hoping to have an Artist Interview with him soon. Also his wife Lena has a fantastic website called Curator of Oddities, and she really does have an odd, but fantastic, collection of work… everything from presidential paintings, to gorgeous graphic silk-screened posters, to random expositions on American folklore.  Very cool.

Compound Studios & Gallery

The primary installation in their main gallery is an interesting 3 dimensional landscape of sculptural pieces entitled 3AM: Under the Full Moon, by Christopher Romer. Unfortunately I don’t have any pictures of this exhibit as it was quite crowded when we arrived, but you can see a slew of pictures on Compound’s home page.  You’ll also find a wonderful write-up of the show there, which is more than you’ll get here, as I am, for all intents and purposes, sculpturally illiterate.

I felt a bit more at home in the adjacent gallery space, the Swee(t)Art Drawing Gallery, also part of Compound. The exhibit there was mostly two-dimensional (more my comfort zone), entitled “The Worship of Water,” curated by Obi Kaufmann and featuring works by several artists.  Here are two pieces by Savanna Snow

The Worship of Water

And below are works of Shannon Ingraham (I think)… forgive me, but this was a quick tour as I was late to meet friends in the city for Devo. Yes, that’s right, Devo. They rocked.

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One of the cool things about visiting this gallery is that many of the artists’ studios are open to the public as well. We were able to walk through many of the spaces and view creative works in progress…

Another thing this studio/gallery/artist crew does is a really cool subscription service called Art in a Box. For a very reasonable monthly fee ($30 – $50), you receive one new work of fine art each month, in a box. You can specify preferred medium if you like, or just keep it a surprise.  Either way, you’ll be enriching your personal fine art collection, while supporting local artists… over 20 currently participating.  And this service has been so successful in fact, the Compound is seeking out new artists to participate.  You can see their Call to Artists on their Facebook page. Check it out!

Blankspace – This Is Not My Beautiful Life

So last Friday was another “First Friday” here in Oakland, and friends and I did an abbreviated gallery crawl this month, hitting two of the three galleries in the Golden Gate district of OaklandDidn’t know there was a Golden Gate district in Oakland?!? It was recent news to me too, but this tiny Oakland outcropping, stretching just north and east of Emeryville and just south of Berkeley, has apparently gone by this name since the late 1800’s.  The area was originally developed as the town of Klinknerville in 1885, changed it’s name to Golden Gate in 1888 (smart move), and was annexed to Oakland in 1897 [Wikipedia].

After drinks at Kitty’s, we made our way to blankspace gallery located at 66th Street and San Pablo. The contemporary art space consists of one main gallery room with a smaller gallery shop off to the right when you first enter, filled with small-scale affordable local artists’ wares. The space was first redeveloped from an old Bait & Tackle shop (I love that the old sign still exists) and was originally launched as Lucky Tackle gallery by Jason Byers back in 2002.  He now co-directs the space with Kerri Johnson.

Blankspace Gallery

The exhibit this month (opening reception was in late October) is titled This Is Not My Beautiful Life, an interesting twist on the Talking Heads’ song “Once in a Lifetime” written by David Byrne…

And you may ask yourself
How do I work this?
And you may ask yourself
Where is that large automobile?
And you may tell yourself
This is not my beautiful house!
And you may tell yourself
This is not my beautiful wife!

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Two artists (Michael Hall and Daniel Healey) shared the gallery, each with entirely different styles and techniques, but both focused on themes of “history, domesticity, and narrative.”

Healey’s pieces were rather large but meticulously constructed out of tiny collage bits, most originating from vintage magazines and other historical materials (though he was quite secretive about his process!) Some of the tiny elements could easily be recognized as home wares from some type of catalog, perhaps an old Sears & Roebuck… shelving, handtrucks, etc. Yet many were harder to identify, and some even had a tissue paper translucency to them that was quite beautiful when layered.

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I love this image above, because these patrons look perplexed… one literally scratching his head, trying to figure out how and out of what were these constructed, what they now represent, and most importantly, what does it mean?!

My friends debated the perspective from which to view these images. Some saw them as maps of a sort, as though viewed from the sky above…. landmasses jutting out into an abyss of some greater homogeneous body. I preferred to view them from my feet-planted-on-the-ground perspective, and to me they looked like fantastical creatures, blob-like with arms and heads and claws protruding. Here is another…

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Michael Hall’s pieces also begin with vintage photographs, though his work is more interested in the historical narratives found within. His canvasses were more traditional paintings than Healey’s, but the incorporation of elements such as date stamping, square formatting, and borders, gave clues to the photographic origination of the images.

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I am sorry that I don’t have more photos of his work here… my representation is not particularly balanced as each artist occupied half the gallery space. Please note it is no indication of preference… I found the subtle palettes and quite moments of Hall’s imagery lovely, and a perfect contrast to the vibrant chaos of Healey’s.  The show is up until November 15th… you can go see for yourself.

Tomorrow we go to our second stop of the night… Compound Gallery & Studios.