Category Archives: WHERE

The rise of a black middle class…

I took a city walking tour about a week ago in honor of Black History Month… titled “New Era / New Politics” and offered by the city of Oakland free of charge, it’s one of eight walking tours covering different topics in Oakland’s history.  The tours typically only run during summer months from May through October, but this one exclusively is offered three times during February to celebrate the contributions of influential African American leaders to Oakland’s development.  In fact, this tour was developed and first offered in conjunction with the opening of the African American Museum and Library at Oakland (AAMLO) in 2002.  We met on the steps of the AAMLO to begin our tour…

Our guide, Renate, began with a broad statement…  that Oakland, as a medium-sized American city, is unique in its diversity, and specifically its history of diversity. And she attributed this difference primarily to the success of the Pullman Porters.

For those not familiar with the Pullman Porters, a bit of history… In the late 1800’s, Oakland was designated as the western terminus of the Transcontinental Railway.  This railway system connected the eastern portion of the United States with the new western states, and more specifically the burgeoning city of Oakland directly with the more established metropolis of Chicago.  Around this same time, George Pullman, an inventor and entrepeneur based in Chicago, developed railway sleeping cars, designed to offer trans-continental transport in a manner of luxury previously unavailable.  His first cars – containing sleeping berths, curtains, carpeting, upholstered chairs, and washrooms at each end – were called Palace Cars, and were marketed with the motto “luxury for the middle classes.”

To complement this experience of luxury, Pullman exclusively hired African American men to staff his cars as porters and wait-staff, believing that they were well-suited for these positions as “people who had been trained to be the perfect servant[s].” Though the jobs were not particularly well-paying and advancement was limited, they afforded many steady employment and income, as well as the ability to travel… novel concepts for blacks in that day and age in America.  By the 1920’s and 30’s the Pullman Company was one of the largest employers of blacks in America, many of whom lived and worked in West Oakland around the now defunct 16th Street Central Station.

When California joined the ranks of the “united” states in 1850, it did so as a free state with a constitution that abolished slavery.  But despite this, our tour guide Renate informed us that prior to the 1920’s, there were very few blacks in California.  It wasn’t until the railway system was completed and the relative prosperity of the early 20th century offered greater mobility that the first migratory wave of African Americans settled in California, many coming to Oakland in search of greater opportunities.  Throughout our tour, Renate emphasized the differences between this first generation of blacks in the Bay Area, those who had roots in the east and south, and the second generation, their offspring born and raised in California.  The opportunities available to the first generation would be fewer than expected… those coming with hopes of obtaining university educations to establish careers as doctors and lawyers were frustrated to find themselves excluded in ways that had not been expected in the reputedly liberal state of California.

But the Pullman Porters jobs allowed many families to settle in West Oakland… employees were actually required to establish residency within running distance of the train station. These early entrants into the formal blue collar workforce of America took hold of a rung from which they propelled themselves into the mainstream middle class of American Society (Rising From The Rails by Larry Tye).  One of my favorite quotes from the tour was something along the lines of the following:

Once you have an educated middle class,”historical consciousness” comes into being.

With that consciousness, a slew of early black leaders were able to assess the quality and context of their current station in life, and envision a different future possible.  A handful of these visionaries formed the East Bay Negro Historical Society, the remnants of whose archives now form the foundation of AAMLO’s archives.

There is much more to tell, but I am finding it exceedingly difficult to write this from Mexico.  Lo siento.  You can imagine how the gently swaying palms and lapping turquoise waters do distract… Forgive me.

For those interested in delving into this on their own (or too impatient to wait for my vacation-scheduled recap – can you say mañana?), the New Era / New Politics tour will be offered one more time this month… on Saturday the 27th, meets at AAMLO, starts at 10 am.

Art Murmur continued…

Friday already again!  This week has gotten the better of me…

In effort to finish up my Art Murmur escapades before leaving town, I’m going to just ramble for a bit…  After leaving bayVAN, we stopped in to Johannson Projects.  I’ll have to do another post on the Projects in the future because it’s considered one of the best independent galleries in the East Bay, if not the greater Bay Area.  Voted Best Gallery of 2008 and 2009 by the East Bay Express, “[the] art shown in this stylish space… is postmodern-cool, often involving unusual methods or processes, but well crafted and visually appealing.

Founded by Kimberly Johannson, who just happened to luck out with the already existing lovely “K” mosaic installed at the entryway, this space is the epi-center of Art Murmur.  As such, it tends to be unbelievably crowded, even on a dark drizzly evening in February…

art murmur gallery, oakland art gallery, kimberly johannson

While a lively environment to pal around with friends and meet like minded artsy types, it wasn’t all that easy to see the art, and none of my photos turned out very well, so you’ll have to go check this one out for yourselves.

The current installation, titled Article X, features amazing photographs by David Trautrimas… otherworldly beautifully de-saturated Cold War landscapes constructed out of common everyday household items like coffee pots and waffle irons, and fascinating sculptural installations by Kristina Lewis. Lewis “frees utilitarian objects from their allegiance to human agendas and gives the materials of our disregarded possessions space to evolve. Emancipated zippers, stilettos, and light switches (complete with their wiring), become indescribable relics that could be machine or animal.”  Both of these installations feature the DIY sensibility that is often associated with this gallery.  Show is up through March 20th, and the gallery hours are 12 – 6pm Thurs/Fri and 11 – 5pm Saturdays (also by appointment).

Also featured this evening was a performance by a men’s a capella group called Conspiracy of Beards. Have you heard of them? Based here in the Bay Area, they’re a 30-member group, performing exclusively the works of Leonard Cohen in complex 4 and 5 part harmony arrangements. Can you say dreamy? This was just about the handsomest room full of men I’ve ever seen, and they were pouring their hearts out in song. And boy could they sing. These gentlemen put on a show worthy of the great Mr. Cohen, whom I had the good fortune to see on his recent stop at the Paramount; it was… truly transcendent.  Here’s a brief clip of Conspiracy…

There were a few other stops Friday night, but I’m running out of time so I think I’ll just stop there.  Kind of a nice note to end on I think.

I hope to get a bunch of posts up next week about my historical tour focusing on African American leaders influential in our Oakland’s development.  But it all depends on internet access… vacation starts tomorrow!!!

Orr-Allen-Guarino Trio at The Stork

So I’m a bit behind with my recap of Art Murmur, which (hopefully) will continue on Thursday and Friday.  But in the meantime, I’m throwing up a video I took at last night’s show at the Stork Club.  I mentioned it in my post yesterday… an experimental improv jazz trio informally known as the Orr – Allen – Guarino Trio, consisting of two drummers and one very loud sax player.  My friend who is one of the drummers said they need two, just to keep up with the sax, if that gives you any idea…

Now I know this isn’t for everyone… but I happen to think it’s quite excellent.  And one of the things I love, and have always loved, about the Stork Club is that they provide a home to all kinds of music.  They like to rock it, but that’s not all they do, and some of the most interesting avant-garde bands I’ve seen, were at the humble Stork.

The video clip below is approximately 12 minutes long, and this isn’t even the full song… I started the video a bit late.   This is no KCSM, no bee bop, no smooth jazz, and certainly nothing your mother would like. But the thing that makes it so cool, is that it’s completely free-form.  There’s very little structure they conform to… no verse, chorus, verse, chorus, refrain, verse chorus playbook.

That playbook’s all well and good… it gives the listener something to hold on to… or resolve as Orr refers to it.  My concept of resolve, and please keep in mind I am not an experimental jazz musician, is that it’s what one expects to come next in the song… what you can predict because you’ve already heard the first two minutes and understand the structure that’s been set up.  Like the blues, for example.  Almost anyone can sing a blues song, can even make up the lyrics as they go, because it’s so damn predictable.  That’s not to say there’s anything wrong with being predictable, but what makes the blues interesting, is not that predictability, but rather the feeling imparted to the song within the confines of that expected chorus-verse structure.

What this trio performs is something else entirely… it’s wide open.  It’s unexpected.  It’s experiential because there’s no possible way of predicting what will come next, so you give up even trying and just experience each combination of notes and beats as they come.  As Orr explains it, “The trio will be improvising non-idiomatic free music. For those not familiar with that term, please see http://en.wikipedia.org/wiki/Free_improvisation.”

And what’s more is that they play their instruments in unexpected ways… extracting every possible sound imaginable.  From throwing cymbals into the audience to bowing cymbals to scratching fingernails on the snare head… this is one wild ride!

For those as dorky as me, there’s another performance though slightly different on February 23rd at the Stork.  That show will feature Orr on drums, Allen on saxophone, and Ava Mendosa on guitar.  If you have an open mind, or don’t but want to have yours blown wide open, go check them out.

Here’s part 1 (about 9 minutes long)… part 2 to come later…

Here’s part 2…

bayVAN

This post continues the chronicle of my escapades this past Friday night, another “First Friday” in Oakland. In fact, the rest of the week will highlight the various venues hit… expect posts to get shorter and images to get blurrier as evening progressed!

And a bit of a heads up… next week (while I am on vacation ~ woo hoo!) I’ve got some posts lined up about some of the key influential African American leaders in Oakland’s history. I took a walking tour last weekend (provided free of charge thanks to the city, despite their budget woes) and it was fascinating! I hope you will find it equally so… please tune in next week to read more about the first and second generations of black leaders who shaped the city we live in today.

Last note: cool show at the Stork Club tonight.  9-9:30ish.  Two drummers.  One sax.  Experimental.  OUT THERE.  Come check it out if you’re feeling brave…

In the meantime… second stop Friday night…. bayVAN, which stands for Bay Area Visual Arts Network. It’s a gallery, housed in a tiny but beautiful space nestled between Broadway and Telegraph Avenues, on the third story of 455 17th Street. But it’s not your run-of-the-mill conventional gallery… Their focus is “[sourcing] opportunities for artists to display, lease and sell original artwork outside traditional gallery venues,” and large scale residential and commercial applications seem to fit this bill quite nicely. They currently have an artists’ registry of 100 strong, and though their 2010 Open Call to Artists is currently closed, you can check back here for future openings later in the year.

BayVAN is headed by three women who’ve been formative in developing the East Bay arts community:

  • Brooke Baird is a painter and illustrator who has been working and teaching in the Bay area for 15 years. With non-profit management experience as well as skills in high-end art advertising and real estate marketing, she “takes great pleasure in using original art to bring together beautiful and unique spaces while creating economic opportunities for fellow artists.”
  • Kerri Johnson “is a working artist, arts administrator and curator. She is the co-owner of Blankspace gallery, a contemporary art gallery she co-founded in 2005. Ms. Johnson has been a member of the Bay Area fine art community for 9 years and has worked with internationally renowned artists including Keith Boadwee and Anya Gallacio.”
  • Nicole Neditch “has been part of the Bay Area Art community for over a decade, as an independent curator, arts administrator and graphic designer.” She opened Mama Buzz Cafe and Buzz Gallery in 2002, and later, with the help of other new gallery owners in the Uptown district, “founded Art Murmur, Oakland’s ‘First Friday’ art walk, which now hosts thousands of Bay Area residents at more than 15 galleries surrounding the Mama Buzz Cafe.” She also recently designed and executed the city’s new art & culture website: OaklandArts.org

The current exhibit, up for the next two months, is a group show that hosts a number of artists with whom they’ve worked over the past year: Brian Caraway, Jason Byers, Steuart Pittman, Modesto Covarrubias, Maryly Snow, Zoe Ani, Eric Larson, Martin Webb. The show is mostly small works, which seem well suited for the narrow profile of their space. It’s not clear to me if the gallery has other open-to-the-public hours, aside from First Fridays. You can check their blog or contact them directly.