Category Archives: paint

SuperAwesome: Art and Giant Robot at OMCA

We checked out Friday Nights at OMCA last week, spending the bulk of our time at two exhibits… First, Vinyl: The Sound & Culture of Records, which I’m hoping to post about next week. And second, SuperAwesome: Art and Giant Robot which I’m featuring here…

Now I have to admit that I’m not much of a zine fan. I didn’t know the history of Giant Robot, have limited knowledge of pop-Asian culture, and honestly didn’t think I’d find this exhibit all that interesting. Boy was I wrong. Let’s just say the installation is aptly titled… it IS Super Awesome!

I learned about the history of Giant Robot… its early beginnings in 1994 as an arty pop-culture zine fashioned together on the floor of founder Eric Nakamura’s bedroom, “collage style with text, scissors, images, and glue sticks.” Talk about humble beginnings.

Since then the Giant Robot brand has grown to include retail stores, gallery spaces, and a hugely popular website, extending itself as a broad creative platform that continues “to explore the intersection of contemporary art and the ever-evolving relationship between West Coast popular culture and Asia.” (Carin Adams, OMCA Associate Curator)

Featuring new and recent works by California and international-based artists who have been a part of the magazine’s social and cultural evolution, the exhibit is extensive and includes a wide range of mediums, including mural art, sculpture, illustration, portraiture, large-scale installations, graphic novels, photography, and more.

You really need to allow some time to explore because there’s just so much. I feel we barely scratched the surface… Exhibit is up through July 27th. Don’t miss it!

PS – and if you head over there tonight (Friday, May 30th) there’s a Zines & Print Culture Salon happening from 7-9pm. You can meet Guest Curator Eric Nakamura and pick up rad new reads from a selection of Bay Area zinesters at the zine bazaar organized with Oakland collective Rock Paper Scissors. There’ll be live music, screen printing demos, gaming stations and much more.

SuperAwesome, Giant Robot

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Painting by Andrew Hem

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Deth P. Sun

Untitled by Deth P. Sun

Deth P. Sun, Oakland by Deth P. Sun

Untitled (detail) by Deth P. Sun

eric nakamura

Curated Collection of Zines by Eric Nakamura

video game car

Custom Scion XB Gaming Car by Eric Nakamura & Len Higa

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Artists’ Sketchbooks I

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Artists’ Sketchbooks II

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Lazy Eye

Ode to California, Kozyndan

Ode to California by Kozyndan

More Dimond Love

Forgive the focus on my immediate neighborhood these past few posts… I haven’t gotten out much lately! But this collaborative mosaic and paint mural is a stunner and well worth highlighting.

It’s another installment by the folks who brought us the lovely mural on the side of Farmer Joes on Fruitvale Ave. Created by local artist and teacher Debra Koppman, the mural is titled “I LOVE Dimond.” It features a tapestry of images woven together across three panels to portray the diverse and beautiful neighborhood that is the Dimond District. Left and right are elaborate mosaics installed by Martha Trujillo, Brad Holland, and Shardee Thomas, while the center panel features an intricate painting by Mandy Lockwood.

Wonder what this stretch of Mac Arthur used to look like? See further below…

Debbie Koppman, PGE Substation Mural

dimond district mural, mac arthur mural, mandy lockwood

debbie koppman, mosaic mural, mac arthur mural

I couldn’t find a shot of the whole wall pre-mural, but you can imagine from the snippet of dilapidated fence below. I love how you can still see the PG&E substation info in relief within the new mural.

PG&E substation

The project was funded through multiple sources:

  • Oakland Cultural Funding Program – supporting Oakland-based art and cultural activities that reflect the diversity of the city for citizens of and visitors to Oakland. (more on this below)
  • Dimond Night Out (Montclair Lions Club – Howard Neal)
  • Oakland Parks & Recreation (Karen Long)
  • Individual Donors – Edward Norton, Carrie Campbell, Kathleen Russell, John Olson
  • Dimond Improvement Association (DIA) – working on issues and projects ranging from streetscape improvements, business development and crime reduction to beautification and community celebrations.

I’d like to take this opportunity to briefly highlight the Oakland Cultural Funding Program, because it’s nearly that time of year again when they open the applications to their grant funding process. They provide support in three categories: general support to arts & cultural organizations, individual artist projects, and art in the schools.

I’m going to focus on the individual artists (others can visit the link above for more info). Do you have a community art project you’ve always dreamed of executing but couldn’t figure out how to fund? Well here’s a chance to secure some cold hard cash to help make your dream a reality. The individual artist grants max out at $5000 and do have a few requirements to qualify:

  • You must be a resident of Oakland.
  • You can’t have received one of these grants within the past two years.
  • Your project must take place in Oakland and should culminate in a local public outcome for the benefit of the community. Such activities may include, but are not limited to, performances of dance, music or theater, visual art and public art projects, classes and workshops, exhibitions, and literary activities.

It says on their website that the applications should open on April 1st, but I confirmed yesterday that they are not expected until May 1st. The deadline will likely be June 30th, but both dates are still tentative at this time.

If you are interested in applying for a grant, you can sign up for email notification regarding applications, review grant guidelines and recipients from last year, and see answers to frequently asked questions all here:  Oakland Cultural Funding Program.

Love Oakland – Make Art!

“Premonitions” at The Naming Gallery by Ruth Crossman

Hey Everyone… I am so please to present this guest post, written by Ruth Crossman, who’s generously offered to share her wonderful in-depth profile of The Naming Gallery, another fantastic addition to Oakland’s ever-expanding collection of galleries and art spaces.

A West Berkeley native, Ruth is an ESL teacher by day, a writer by night, and an avid consumer of local art and music. She currently lives in North Oakland.

Please enjoy her lovely piece about this very cool space (I can’t wait to visit in person)…

* * * * * * * * *

On a Thursday night at The Naming Gallery, sitting on the ground surrounded by his paintings, Alan Grizzell describes his artwork as a meditation on “the neglected areas of the city…places that may otherwise be ignored.” Constructed using salvaged material, his series of urban landscapes are snapshots of forgotten places. He explains in his artist’s statement, “Each painting strives to portray an elegance in decay.”

One of his most striking pieces is an image any BART commuter can conjure from memory: the oil cranes and shipping containers of West Oakland at night. But there is something about this oil-on-wood painting, executed with bold brushwork and dramatic plays on light, that imbues the landscape with a haunting, solemn beauty.

Premonitions, The Naming Gallery

A native of Cincinnati, Grizzell found inspiration on a cross-country road trip to California, and his current work is an exploration of Oakland in the late night hours, “seeking a quiet beauty when most have gone to sleep.” Working out of Faultline Artspace in East Oakland, this will be his sixth exhibit in the Bay Area, following stints at The Rare Bird, The 25th Street Collective, Awaken Café, and The Compound Gallery. Bird, The 25th Street Collective, Awaken Cafe and The Compound Gallery.

His artistic aesthetic fits in well with the space he has chosen for his next show.

If you turn your back on Uptown Oakland and walk down 15th street towards Harrison, you notice that the neighborhood quickly takes on a quieter, more lived-in feel. South of the Art Murmur crawl and east of the glitzy Fox Theater, the lights become dimmer. The buildings are a mix of vacant storefronts with ‘for rent’ signs and struggling local businesses: a small grocery store, a barbershop, a public notary. And yet art is beginning to flower in this semi-forgotten section of Downtown Oakland and one of the most prolific emerging spaces is the Naming Gallery.

On the bottom floor of the White Building, a 3-story art deco, it consists of two tiny rooms at street level, with a basement and a rickety loft space upstairs. There is no sign on the door, but at 9 pm it crackles with energy: something is definitely happening here.

Biggie Smalls plays in the background, punctuated by the sound of a buzz saw. In the back room, founder Lisa Aurora Calderon sits on a floral couch picking at a plate of quiche with the gallery dog lying at her feet, staring up at her balefully. Next door, co-owner and curator Josef Lucas, back from a mission to acquire a stud finder, surveys the space and consults with Grizzell while a band of friends and associates cut beams and construct wall mounts.

The burgeoning gallery has begun to develop a reputation for being open to experimentation and willing to host a variety of events, from artwork to live music performances to craft nights. The website proclaims it “an interdisciplinary art space that provides a platform for selected artists to showcase their work.”

It was the need for such a platform which drew the interest of Lucas, a cinematographer and video blogger who is known for running the “This Party Blows” camper installation at Art Murmur. “I knew about the space and it seemed like an opportune time to get involved,” he explains. “In September my friend [local artist Zachary Seth Greer] was trying to do a show and then it fell through and I wanted to help him out. It was all very last minute.”

The exhibit Lucas helped organize would be the first at the gallery and would kick-start a wave of performances and installations, almost always featuring a rollicking opening day party with live music from local bands.

The Naming GalleryIt is this sense of cross-pollination, of multiple media forms co-existing and highlighting each other, that seems to drive Calderon: “What I see for [this] space is small artisans doing quality things coming together in one house to provide for a neighborhood… a business community under one roof…. and I think that’s beginning to take shape.”

Her own story is marked by the collective and the communal: a native of Oakland, she lost her job during the recession of 2008 and began making hats and selling them at the underground flea market known as Indie Mart. It was here she started to dialogue with other local artists and craftspeople.

She would later become a curator for Mama Buzz, before opening her own space, Upstream Art Lit, on 27th and MLK, which put her on the path towards founding the Naming Gallery. “We did a lot of fun things, we’d have writers come and stay, they’d read poetry and cook dinner. I got linked in with Rowan Morrison Gallery…” It was the folks from RWG who helped her establish many of the connections she was seeking to more deeply engage with the community.

By the summer of 2012, she’d been looking for a space for a year when she discovered 335 15th street, a few doors down from the studio of painter Githinji Omiiroo, who has had a presence there for the past fifteen years and with whom she has since developed a highly synergistic relationship.

Calderon was immediately drawn to the accessibility and ethos of the area: “I liked playing on the delineation of Art Murmur and the downtown art association. Their reach ends at a certain point, but where it ends is where our community begins.”

As midnight approaches and the rest of the block sleeps, the Naming Gallery’s community is still out in full force, working feverishly to a soundtrack of sawing and hammering, determined to have everything done before morning. The building is literally buzzing with activity.

The Naming Gallery is located at 335 15th Street in Oakland and is open from 12 pm to 6 pm Thursday through Saturday.

Alan Grizzell’s exhibit “Premonitions” opens this Saturday April 12th and runs until May 4th.
The official Opening Party is slated for the following Saturday, April 19th, to coincide with the Oakland Drops Beats block party and music festival.

Ernest Doty in the Dimond

I’ve been a bit lax in posting this past week or so… I came down with a nasty cold/flu which has kept me moving at the pace of a three-toed sloth. Actually slower.

But the universe has an interesting way of providing when we need it most, and as a result, I’m excited to tell you that I’ve got a guest post coming up later this week. Please stay tuned.

In the meantime, here is a continuation of the focus on a cool multi-artist installation site in my local hood, with the foreground image below by street artist Ernest Doty. I’ve actually featured his work on this site before without realizing it (see Art Murmur is cool. And it’s tonight. which I now know includes one of his multi-eyed creatures, another regular theme in his work.)

I love this piece for its focus on the bird, more specifically a raven (at least that’s what it looks like to me).

The Bird

I recently completed a small body of photographic artworks that, while focused on various themes and settings, all had one feature in common: birds. In the process of developing this body I did a bit of research for an accompanying essay and discovered that throughout history, images of birds have been used to symbolize the link between the spiritual realm and the physical world.

A Raven

Just last week I read a short creative nonfiction work called The Raven by Barry Lopez. It’s an allegorical meditation on the differences between crows and ravens, but really its meaning is much deeper, exploring issues frequented in his works: the relationship of human culture to the physical landscape, identity, ethics, etc. Here is a short excerpt:

Finally there is this: one morning four ravens sat at the edge of the desert waiting for the sun to rise. They had been there all night and the dew was like beads of quicksilver on their wings. Their eyes were closed and they were as still as the cracks in the desert floor.

The wind came off the snow-capped peaks to the north and ruffled their breath feathers. Their talons arched in the white earth and they smoothed their wings with sleep, dark bills. At first light their bodies swelled and their eyes flashed purple. When the dew dried on their wings they lifted off from the desert floor and flew away in four directions. Crows would never have had the patience for this.

You can look up the PDF if you want to read the full piece (it’s quite short at just three pages). I found its beauty echoed in the imagery of this mural.

Ernest Doty, Dimond Murals, Bird Murals, Ernest Doty Mural, MacArthur Murals, Dimond Murals

Many of Doty’s works incorporate bird imagery (see another below, from West Oakland) and since his Facebook profile describes him as “a mystic”, I have to believe he’s got some similar intent at work with this symbolism. Very cool.

bird mural, ernest doty, bird graffiti

Photo by Graff Hunter