Category Archives: uptown

Magical Mosaic

While I was tooling around downtown to shoot all the gorgeous historic buildings for my Art Deco series, I came across this incredible mosaic installed over what was once, presumably, a rather plain door front on Broadway (2141).  It’s stunning.

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It’s hard to see in the photo above, but there are words embedded in the trunk of the tree as it curves around the doorway… they read “Awakening Imagination for Transformation.”

nature motif mosaic, mosaic art, tree with hawk mosaic

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mosaic art, nature motif mosaic, mosaic doorway on broadway

It was unclear to me what the business was… there’s a psychic next door to the left; the doorway itself has signs for a notary. I googled the address and came up with the University of Creation Spirituality. I’m not sure if this college still exists at this location, but this is clearly the origin of the mosaic as the detail in tile below reads “UCS 2002.” Other than that, I see no artist’s signature for this amazing creation.

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The Paramount Theatre ~ an Oakland Icon

I quoted a writer the other day in my post about the Floral Depot building, who argued that its restaurant Flora was the “anchor” of the Uptown district, and I agreed. But now that I think about it, I realize that it’s truly the Paramount Theatre that grounds this neighborhood, and has for decades.

Before there was the Fox-reopened, before there was Lukas, before Van Kleefs, before Flora and the Uptown nightclub, before Art Murmur and its slew of hipster galleries, before the condos Jerry Brown envisioned (now realized), before all of thisthe Paramount Theatre stood, proudly serving this neighborhood for decades despite the departure of nearly everything around it.

I’m wrapping up my Art Deco Days series… there’s much more to tell – I haven’t even covered the gorgeous I. Magnin building – but I’m itchin’ to move on to other topics, so I’ll finish up with a bit more about this Oaktown icon.

We left off in the expansive and extravagant “redwood forest” lobby designed by Timothy Pflueger.  Additional features included the Egyptian Princesses cast in plaster and painted in real gold-leaf (remember, this was the time of the discovery of King Tut’s tomb and the world was captivated by Egyptian art).  These lovelies may appear identical, but there are subtle difference between them, in the number of folds of fabric draped behind their legs.  Attention to minute details such as this can be found throughout the entire theater, designed to ensure the patron’s experience of true artisan craftsmanship, rather than cookie cutter repetition.

art deco sculpture, art deco lighting, egyptian princesses

art deco sculpture, egyptian motif, paramount theatre lobby

Pflueger was considered one of the foremost architects of the Art Deco style – and like another famous architect, Frank Lloyd Wright – he designed everything in this theater right down to each and every light fixture. It’s incredible. Though there are numerous influences (Egyptian, Greco-Roman, Polynesian), the same Deco styling is applied to all. And the same zig-zags, swirls, leaves, flowers, & vines can be seen throughout… on the walls in cast plaster, in the ceiling treatments of silver-fin metal work, in the carpeting, upholstery, and more.

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isis holding sun, art deco silver fin

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art deco cast plaster, paramount theatre interior

paramount theatre light fixture

The theater continued to show movies through the 1930’s and beyond. During WWII, the Paramount became a favorite gathering place to watch news-reel updates on the war. In the 50’s, a thousand youngsters came to see Elvis Presley’s Jailhouse Rock. But as development moved to the suburbs and people were able to enjoy entertainment at home on their televisions, attendance at the Paramount declined. It was eventually closed in September 1970, to be later rescued by an unlikely candidate.

In the early 70’s the Oakland Symphony was looking for a new home and they considered both the Fox Oakland Theater and the Paramount. The story goes that the symphony was brought onto the stages of both theaters (both shuttered at the time) to determine which space had the best acoustics. The Paramount won hands down, and the Symphony later purchased the theater in 1972 for $1 million, cobbled together with some creative financing, including a 50% kickback from the seller.

The theater was completely restored to its original 1931 splendor by project manager and Art Deco expert Peter Botto with additional architectural firms consulting. Elements that were added mid-century, such as candy counters and popcorn machines, were removed; new seats were installed; the carpet was replaced (extreme care taken to exactly match the original carpet); and the entire theater received an intensive cleaning. Supposedly when the dust was blown out of the upper levels of the theater, the ground floor was filled waist-high with the debris. Years of smoking indoors also added thick layers of grime that needed to be carefully cleaned from all surfaces. The effort was not a renovation, but a complete restoration, our tour guides emphatically noting the difference. The complete restoration cost about $1 million dollars (the same price for which the theater was built in 1931). Compare that to the cost to renovate the Fox in the 21st century… a whopping $75 million, and you can understand why some folks thought the Fox would never again see its doors opened to the public.

I misspoke in one of my earlier posts on the Paramount, stating that it was still currently owned by the Oakland Symphony. Actually, the symphony went bankrupt just two years after purchasing and restoring their new home (oops!). But they made a deal with the City of Oakland, donating the theater to the city for the lump sum of one dollar, in exchange for an agreement that they’d be guaranteed 40 years of bookings. Pretty sweet deal, eh? The Paramount Theatre is now operated and managed by a small non-profit organization on behalf of the city.

The theater became a California Historical Landmark in 1976, a National Historical Landmark in 1977, and is considered one of the finest examples of Art Deco architecture in the country. We’re so lucky to have this treasure.

paramount theatre lobby, paramount fountain of light

View of Lobby from Upstairs Balcony

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paramount theater downstairs, paramount interior, art deco

The Breuner Building ~ a gem in sea-glass green

I’m not done with the Paramount yet… but in an effort to be quick today (I’m a bit under the gun) I thought I’d share some photos of the lovely Breuner Building, designed by Albert Roller and built in 1931. It was constructed to house the John Breuner Company Furniture Store… indicative of this early history is the building’s front facade, another terra-cotta relief (in fact the entire building is clad in terra cotta glazed in a gorgeous sea-glass green) featuring two workers crafting a chair. It’s classic Art Deco – high stylized motifs incorporating images of industry with more organic forms (leaves, swirls), and of course, always the zig-zags!

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The Breuner Company was established in 1865 (also indicated in relief on the exterior) but this store was opened decades later at “22nd and Broadway — despite the onset of the Great Depression — to join fellow retailers H.C. Capwell and I. Magnin, and the grand and elegant Paramount and Fox Oakland movie palaces.” (Annalee Allen) Here is a shot of the original building with the Breuner sign atop, and what it looks like now, the sign replaced by a lone flagpole.

Breuner Building, art deco buildings oakland, breuner company furniture store

Historical photo courtesy Christopher C. Curtis, Metrovation Brokerage

terra cotta relief of chair, art deco terracotta

You can see that the lower portion of the building was changed significantly and large openings were cut into the ground floor that now harbor huge criss-crossed steel trusses, likely an earthquake retrofit.

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Surprisingly, the Breuner Furniture Company still exists today, now called Breuners Home Furnishings. The company was originally founded by John Breuner, a German cabinetmaker turned gold miner, who “founded the company in 1856 in Sacramento, California when he realized selling [furniture] to gold miners was more lucrative than mining gold for himself.” Smart man. His sons Louis and John Jr. were responsible for the later move to Oakland. The store was ultimately shuttered in the 1970’s and the building currently consists of commercial office space, including the home of The California Genealogical Society.

Art deco building oakland, art deco terra cotta

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Art Deco Oakland, Breuner Building on Broadway

Vagina Monologues at the Uptown

I’m going to briefly interject this snippet into my Art Deco series, because it was a really cool event and there’s just one more night (tonight!) if folks are interested…

vagina monologues, uptown nightclub

I went to the Oakland Vagina Monologues at the Uptown last night, a fundraiser for the creator Eve Ensler’s organization V-Day, dedicated to ending violence against women and girls worldwide. As I walked through the door of the club I was greeted by a large pink furry vagina, wearing pumps and pink socks no less, who hugged me and offered a Hershey’s chocolate kiss. Why, thank you Miss Vagina, I said.

Continuing into the club, gorgeous women of all shapes, colors, and sizes scurried about in t-shirts blazoned with the motto – I hella ♥ Vaginas. The collective empowerment was palpable!

The show is a series of monologues gleaned from Eve Ensler’s interviews with a wide range of real women: seniors, six year olds, sex workers, women who’ve suffered abuse, or women who’ve simply been fascinated or mystified by the power of the vagina.

Beautifully performed by local activists rather than professional actors, pieces turned from deeply self-revealing stories of shame, acceptance, and celebration – both tragic and humorous in the telling, to tales of reverence for the vagina’s ability to carry forth precious life into this world, to a hilarious catalogue of the various moans of ecstasy, to a beat-poetry-inspired reclamation of the word “cunt,” that will have you cheering the c-word at the top of your lungs at its end. As one who has always shied from the blunt force of the word and its negative implications, I surprised myself with this celebratory outburst.

And that’s the beauty of this show… despite that fact that all humans were borne through them, all women have them, and most men covet them, you will still be surprised by the breadth of experience and emotions surrounding this simple body part. Ensler’s monologues shine a warm illuminating light on a topic long shrouded in darkness and secrecy, and though the evening isn’t all fun (there are some deeply disturbing facts shared about the prevalance of rape, violence against and sexual torture of women around the world, including right here in our own United States), the balance seems right, and the message, undeniably important.

oakland vagina monologues, vday fundraiser, vday oakland 2010

The primary beneficiary of the two-night event is local Oakland-based A Safe Place, a volunteer organization that provides housing, crisis counseling, referrals and information services to battered women and their children. They will receive 90% of the proceeds, while the remaining 10% will be used to benefit the City of Joy project, part of this year’s “spotlight campaign” in the Democratic Republic of Congo (DRC).  The project supports women survivors of sexual violence to heal, and provides them with opportunities to develop their leadership through innovative programming including group therapy, storytelling, dance, theater, self-defense, comprehensive sexuality education, and economic empowerment.

If you’ve never seen this show, or even if you have, please come support these organizations in their good works. Grab your mom, grab your girlfriends, even grab your guyfriends (I was amazed how men in the audience laughed when I laughed, gasped when I gaspedwe’re really not all that different y’all), and high-tail to the Uptown.

Uptown Nightclub is located at 1928 Telegraph Ave in Oaktown (cross street 19th)
Doors: 7pm, Show: 8pm
$20 The Uptown
(510) 451-8100

Tickets seem to be unavailable on Ticketweb, so you may want to call to see if it’s Sold Out.  Folks were buying at the door last night with no problem.