Category Archives: WHERE

Bode

So yesterday I mentioned the lovely mural that seemingly popped up overnight near Hollis & Peralta… The sign read “Peralta Mural project coming soon…”

This got me to thinking.
About how art can transform, not only the passerby’s immediate experience in the world, but on a larger level, the whole look & feel of a neighborhood.

A couple months ago I shot some images for an article in Oakland Magazine about a puzzlemaker whose workshop/home is located in the Jingletown district of Oakland. This area is known for its profusion of artists and art spaces, re-purposing many of the industrial buildings that are no longer used for manufacturing and heavy industry.

I got a little lost and found myself wandering around a neighborhood in which nearly every large building’s walls had been beautified by some incredible piece of mosaic art… large murals constructed of tiny bits of glass and ceramics, installed by artists and community members working through Oakland’s Institute of Mosaic Arts (IMA). I’ll focus on the Institute and many of the pieces it’s installed in future posts.

But there is no denying that these works of art transformed this neighborhood, from streets confined by monolithic blank walls that seem to make us feel small, to streets framed by large works of art filled with color and sparkle, that not only invite the viewer’s attention, but dazzle with their beautiful spectacle.

And in seeing the notice on Hollis Street about the coming mural project, it seemed at least one artist had a similar vision for one little corner of West Oakland.  That artist is Mark Bode.  He’s a tattoo artist, comic book artist, muralist, and more.  And the other day I caught him in the act, adding the next installment to the Peralta Street Mural project.

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Check back tomorrow to see the finished product!

Mural Project coming soon…

So this is where it all started…

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My Oaktown Art blog that is. It really began with this mural, and a small inscription that read “Peralta Street Mural Project coming soon… Please Respect.”

I had driven or biked past this stretch of Hollis Street hundreds, if not thousands, of times over the last decade or so… it’s on the way to Home Depot, the Post Office, my bank, my work, Trader Joes, and more. It’s practically a daily occurrence. And one day… a few weeks ago, this gorgeous girl caught my eye. She had materialized literally overnight.

Check back tomorrow when I’ll fill you in on more of the story, including my meeting with the artist…

Deadeyes

Same artist again… I’m runnin’ with it because I’m under the gun and headed out of town… Who knew this blogging stuff would be so time consuming?! Jeeeeezz….

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This is the first one I’ve seen that’s titled. How does the title impact your experience of the image? What does it mean to you? Do you like it? Send me some comments. Pulleeeeezzz.

This one spotted outside Brown Sugar Kitchen on Mandela Parkway, which has the most delectable melt-in-your-mouth waffles you’ll ever taste. Chef/Owner Tanya Holland opened a couple of years ago in this very industrial neighborhood where few restaurant options existed, then or now. I’m happy to say this venture’s been a huge success, garnering various east bay awards and plenty of regular customers. As the name says, it’s a sweet spot!

There are laws about these things…

So here’s another creation from the artist we’ve been stalking much of this week… These are much larger stickers (11 x 14″ I think) and have been reproduced, unlike the individually hand-drawn stickers from Tuesday.

It took me awhile to decipher this image, which is kind of what makes it interesting… in the first photo below you’ll see that I’ve added some yellow highlighting to help show my points.  In the top image you can see the basic face that we’ve seen on his/her other stickers (wide square nose, thick lips)… it’s almost identical to the face seen on the newspaper rack yesterday.  But in this piece, the artist has added another level of complexity. In the bottom image, see the outline of a man riding a motorcycle… the eyebrows become shoulders, the nose his torso, the lips seem to be handlebars, and there are two side view mirrors above his knees which frame the front wheel.

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And another…

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In both of these instances, the artist has chosen to place his stickers on public property…

Of course, there are laws about these things, and it’s really up to the individual artist to decide where he (she) deems it appropriate to place his art, and what risks he is willing to undertake. Many street artists feel it is hypocritical of our society to criminalize public displays of art, while endorsing massive public displays of private advertising campaigns that we literally cannot avoid.

Just the other day, I was at the corner of 51st and Broadway, and in just a portion of my line of sight were 5 huge billboards, all virtually screaming at me to buy something. Ick.

Despite this, I am definitely not a proponent of defacing/enhancing/altering (whatever you want to call it) private property without permission. My own building has been tagged with spray paint (in a manner I would not deem artistic), and I can tell you it’s a real pain in the ass to clean up.

I like Keri Smith‘s take on this subject… she uses materials that are environmentally friendly, non-destructive, or often temporary in nature (like chalk or soap), and prefers to post her creations on temporary construction walls. She rarely posts art on privately owned buildings or property. (The Guerilla Art Kit)