Tag Archives: studio grand

Ramblings of a Reticent Blogger…

[NOTE: If you’re dreaming about the weekend and dawdling at work and have some time to linger over this lengthy post, wonderful… start at the beginning. If, however, you’re pressed for time, just skip to the end. That’s the important part. Happy weekend everyone!]

So you may have noticed I’ve been a bit remiss lately. I feel bad.

It’s a mix of issues really. Part of it is the thought that I just don’t have that much to say… much of interest anyway. You see, it’s hard to get out as much as I used to… now married and ensconced in the relative suburbia of Oakland’s lower hills. Instead of hopping on my bike to sail in any given direction from the flats of West Oakland, an explorer bent on exploring, I now find the pedal from the hills slightly daunting… the discoveries farther from reach. And after all… wouldn’t it just be easier to water the garden or stream another episode of True Detective?

So I guess I’ve gotten a bit lazy. But then I think, NO. Don’t do that to yourself. You have been busy. You were traveling for your friend’s wedding. And then you had your wisdom teeth out… and recovery took awhile (you’re not 20 anymore!) Plus you’ve done all that volunteer work. And you prioritized spring cleaning your office and garage… donating your storage carts to the sculptor, your fabric bolts and wedding leftovers to the creative reuse center, your old cameras and film to the photojournalism student, you’re your computer cast-offs to the local school vice-principal… all in support of the ARTS, remember? And let’s not forget that your beautiful gleaming Mac Pro tower, despite its ever-youthful exterior, was slowly crumbling within to the point where it shat itself, gasped its last breath, and then… DIED. Cleaning up that mess was a serious time (and money) suck. So take it easy on yourself, k?

The other thing, and yes I realize this is completely contradictory, is that I feel like I have stuff to say all the time, but am simply unable to capitalize on the temporality of it all. I spent a good chunk of time redesigning the blog with a new theme to be mobile-friendly in anticipation of having much to say… did you notice? All that work, but then scant few posts to follow. The problem seems to be that despite having an abundance of ideas, I just can’t to get them out fast enough to be timely (I’m a terrible tweeter). And once the moment’s passed… well, then what I had to say seems… irrelevant. It’s a conundrum.

Best Music, Best Music OaklandFor example I wanted to tell you about Best Music going out of business. A downtown Oakland institution for over 80 years (80 years!!!) I took photos and everything. It’s gone now.

I wanted to share my latest dining delights on a perfect little stretch of Grand… the Grand Tavern (the ambience, the service, the food!), and The Star (hello deep dish meatball and ricotta pizza, you are to die for!), and Penrose (Charlie’s done it again). But my photos were lame and the moments passed, so I remained silent.

makai ukuleleI wanted to post about the Ukulele get-togethers at Actual Cafe (I got a ukulele for my birthday last month) but now I don’t even know if these gatherings are happening anymore. If you know, please let me know… I’m looking to expand my current repertoire of three songs.

I wanted to write about the new beer garden (Lost and Found) in Uptown, but now it’s not new anymore. I made plans to meet friends there, but there was a miscommunication and we ended up meeting at the old beer garden in Uptown. So much for modern technology… we humans can still fuck it up.

pollinate farm gardenI wanted to tell you about my visit to Pollinate earlier this summer in preparation for planting my garden… the orchard, the chickens, the farming & gardening supplies, the beekeeping stuff, and the incredible library of books, plus their slew of cool DIY classes (I’m waiting for pickles!) I interviewed the owner, I took photos. Alas, where is the post?

I could go on and on… but I’m figuring I’ve probably lost most of you by now, so I’ll just wrap up by talking about one more meaningful posts I meant to write and sadly let slide.

It’s about the art space Studio Grand, which I wrote about once before. The first time I stepped into the space I knew it was something special… the music was moving, the acoustics were perfect, the curated paintings that hung on the walls beautifully complimented the performance, and the vibe was, well… LOVE. I guess that’s the best way I can describe it.

The space was inspired and founded by Holly Schneider with the mission of supporting community cultural engagement through programming that reflects and serves the diversity that is Oakland. I began taking classes there and, one day upon arriving for class, learned that Holly had suddenly and most unexpectedly passed away at the far-too-young age of 42 from a very rare form of cancer. It was a shock. And a reminder of how precious each day is… not to be wasted on petty things or grumpiness. A solemn reminder for me, someone who often feels grumpy. Holly was an artist, musician, wife, and mother whose passion for art, music, and community can be viscerally felt in the space she has left behind, which I visit often.

The most recent performance I attended was a solo guitar concert by Chuck Johnson this past Tuesday. I’d never heard of Chuck Johnson, but that didn’t matter. I knew the show would be amazing because the community of artists supporting this space is amazing. My sweetie couldn’t attend the show with me and asked me later what it was like… I said it was hard to describe but sort of like early Americana folk guitar picking but with a modern twist… a more delicate and sublime sensibility. Here’s one of the gorgeous tracks he played:

Studio Grand continues on in Holly’s honor, carried forward by the work of countless volunteers and artists. I encourage everyone to check out their eclectic program offerings, and/or attend the closing reception of the current art installation: Susan Matthews’ Rhythm & Spirit.

Friday, August 22, 2014
6:00pm – 8:00pm

This will be a very special reception as it marks the close of the last show that Holly curated. She was drawn to the work of Susan Matthews captured the spirit of the people of Cuba and the rich tradition of Rumba, and knew these pieces would fit beautifully into Studio Grand. They do.
Susan Matthews

Freedom Songs at Studio Grand

After doing everything and anything I could to take advantage of last weekend’s gorgeous sunshine, balmy temperatures, and springtime blooms, I could have easily planted myself on the couch to rest my weary bones in front of some mindless TV. But I opted instead to hit this show–solo even, since I could find no other takers on a Sunday night–and I’m so glad I did.

Not just for the show, which was beautiful, inspiring, and quite moving. But also for the introduction to Studio Grand, a space about which I am incredibly excited. It’s the kind of place I’ve fantasized about creating for a long time… a gallery, no… a performance space, no… a community art center. Oh sweet Jesus, it’s all of the above! I can’t wait to learn more and explore some of their super-interesting upcoming offerings.

But on to Sunday’s show…
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Freedom Songs was listed in my Friday post about weekend activities to celebrate Black History Month, and is the one event I attended. It featured four local Bay Area vocalists (Valerie Troutt, Amy Lacour, Tiffany Austin, Kimiko Joy) performing selections from the traditions of gospel, spiritual, folk, and soul.

I arrived just in time for the second set which highlighted mostly contemporary works by Nina Simone, Sam Cooke (by way of Mahalia Jackson), Jill Scott, Stevie Wonder, Mos Def, and more. My guess is that the first half focused on more of the early gospels and folk songs, and I’m sorry to have missed this.

Each woman in turn performed a song of her choosing, perhaps giving a little history of the song and why she selected it. The set transitioned from songs of struggle during the civil rights movement (Too Slow, A Change Is Gonna Come, Someday We’ll All Be Free, and Visions), to songs of celebration (Golden, Tree of Life, and Shine A Light).

It’s hard to describe how touching these performances were. My words can’t convey the power of these women’s voices and the heart and love that they projected into the crowd. The song that really got me was right in the middle of the show, rounding out the songs of struggle with one emphasizing disappointment, yet still so full of hope.

It’s one of the less well-known songs from Stevie Wonder’s wildly popular and seminal album Innervisions, which featured such hits as Too High, Living for the City, and Higher Ground, and garnered several Grammy’s including Album of the Year.  It is considered by many to be one of his greatest and most important works, addressing such issues as “drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the ’60s dream.”(wikipedia).

Visions is the mournful embodiment of this last issue, and Amy Lacour’s rendition brought tears to my eyes. Here are the lyrics for those who aren’t familiar with it…

People hand in hand
Have I lived to see the milk and honey land?
Where hate’s a dream and love forever stands
Or is this a vision in my mind?

The law was never passed
But somehow all men feel they’re truly free at last
Have we really gone this far through space and time
Or is this a vision in my mind?

I’m not one who makes believe
I know that leaves are green
They only change to brown when autumn comes around

I know just what I say
Today’s not yesterday
And all things have an ending

But what I’d like to know
Is could a place like this exist so beautiful
Or do we have to find our wings and fly away
To the vision in our mind?

The current gallery exhibit Abstracts in the Way of Being by Todd Thomas Brown, though difficult to fully appreciate at night, seemed the perfect backdrop for this show, with bold abstracts in striking reds and blacks. The vocalists were all accompanied by the incredibly soulful stylings of pianist Joe Warner. And the show culminated with a group performance including all four of these beautiful women, encouraging the crowd to sing along.

I was singing all the way to my car… in my head as I went to bed that night… and on into this week. I want to thank Studio Grand for hosting an excellent show, and to all of these courageous artists for sharing their hearts with us!

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